Blunt Who?
Sydney writer Bob Blunt first established Blunt Fanzine in 1986. The prime reason was to provide a fiercely independent outlet for like-minded individuals, be it bands, poets, artists and writers.
He took inspiration from other fanzines at the time, namely B-Side, Lemon, Distant Violins and Party Fears. The format was simple - typed on a shitty Olivetti, cut and paste, stapled on the side, and printed wherever he could find a cheap deal. There was no digital world like there is today.
From 1986-1993 he also released two compilation cassettes and one record.
In the mid 1990s Blunt graduated with a BA Honours in Applied Communications. His thesis discussed the changing nature and appropriation of the term 'independent'. Blunt believed that terms like 'alternative' and 'indie' were simply monikers used at will by marketing companies to describe a sound or genre.
As his enthusiasm for academia and writing heightened, he put together a book that was later published by Prowling Tiger Press in 2001 titled 'Blunt: A Biased History of Australian Rock'.
To this day it is a revered document/music source that is found all over the country in public libraries, independent retail outlets and even cited in academic journals.
In 2003 Blunt decided to leave Australia and pursue work abroad in South Korea as an ESL teacher. He spent the next 12 years living and working in Asia.
This experience galvanised enough fodder for him to independently publish 'The Year My Hair Fell Out' in 2014. This story reveals one's exposure to a foreign culture in their first year working and living abroad. It's based on a fictional character Don Laridis and highlights not only the curious dynamics of private education abroad but also the diverse people that the central character meets on the way.
Blunt relocated back to his hometown, Sydney, in the spring of 2015 and straightaway threw energy into to the so-called ‘much maligned independent music community’. This culminated in monthly shows between 2016-2019 at the Gasoline Pony in Marrickville, and larger shows at the Marrickville Bowling Club.
In 2018 he switched to helping local venue, MoshPit Bar, with the enjoyable and sometimes thankless task of booking bands. Being a DIY venue it took up a lot of time, which meant he was time poor as far as his own writing projects. Being able to digitise became a priority a couple of years back. Hence this website has evolved, thanks to the work and help of Vince Cabrera.
This is what we are missing! Any help much appreciated - you can hit us up on Blunt Presents Facebook page,
MISSING ISSUES
We are currently down on these issues: please help - you might have one under your couch or down at the bottom of some cabinet you haven't touched in years. If you can assist we'd much appreciate it ...
Issue 5 JULY 1988
Lounge interviews with The Bats (NZ) and Canberran band (now based in Surry Hills) The Plunderers. We also look into the life of inner city community radio station Radio Skid Row (2RSR 88.9FM), w/a fashion guide and the usual best of the rest in news, reviews, etc.
Issue 7 MAY 1989
We go face to face and candid with Edwin Garland and his band The Waxworks. There's also a radio interview with Michael from local band, Black Eyed Susan (not to be confused with The Black Eyed Susans down south). In addition, we talk to industrial noise merchants Ministry of Love/Filth, as well as a feature on The Bondi New Music Youth Wave. Nollamara (WA) twins, Andy and Chuckles, also add some colour with impressive high tech layout - it is 1989 after all.
Issue 13 September 1991
This issue features three interviews with bands based abroad plus a local Sydney one. We hear from radio friend Brian Paisley in the UK, as he meets up with Captain Sensible from The Damned. Plus, there's a scoop of an interview done with Johnny Thunders, just three days before he passed away. There are also interviews with Graeme Downes from The Verlaines (NZ), and we go face to face with local hotshots, Wipe Out Your Whole Family/WIPE ( ).
Half Full - Issue 10, 1990
Three interviews are missing. One with Dave Graney and The White Buffaloes. The other is with Steve Clark from Died Pretty, and there's another with local Sydney three piece, The Godbothers. There is also likely to be more of the usual Blunt fodder, including reviews and news.
AUDIO - CASSETTES AND VINYL
Over the years we released two compilation cassettes and one compilation record. Again, if you happen to have a copy. please let us know as we are in the throes re-releasing material that can be digitalised i.e. via Bandcamp etc.
Note: it looks like we have secured a copy of Voices From The Cellar so stay tuned regarding news once we have contacted the artists.
VOICES FROM THE CELLAR - MAY 1989 - we have it and we'll be in touch
A hotchpotch of artists including Distant Locust with a live version of their crowd favourite 'I Feel Love', by Donna Summer. There's also live footage from The Bats (NZ), as well as Ministry of Love and The Cannanes. There's also other artists, such as Living With Robert, The Aftertaste, Lester Vat (Good Chamber), A Happy Family, Drip Tray and more.
PLUCKED FROM THE BOWELS OF MEDIOCRITY - OCTOBER 1990
Aptly titled by Peter Fenton (Crow), this compilation cassette features new hot local talent such as Nunbait, The Plug Uglies, The Wallflowers, Crow, The Moles, Slub (Melbourne) and much more.
12 SOLID GOLD INNER CITY HITS - NOVEMBER 1991
This compilation vinyl was mastered by Michael at Modern Records (St.Peters). It was compiled with grateful assistance from Edwin Garland. Some of the artists featured on this record include Wipe ( ), Dumb and The Ugly (Melbourne), Mahatma Propagandhi, Sunless, and the behemoth that was Monroes Fur.
