Blunt Who?
Sydney writer Bob Blunt first established Blunt Fanzine in 1986. The prime reason was to provide a fiercely independent outlet for like-minded individuals, be it bands, poets, artists and writers.
He took inspiration from other fanzines at the time, namely B-Side, Lemon, Distant Violins and Party Fears. The format was simple - typed on a shitty Olivetti, cut and paste, stapled on the side, and printed wherever he could find a cheap deal. There was no digital world like there is today.
From 1986-1993 he also released two compilation cassettes and one record.
In the mid 1990s Blunt graduated with a BA Honours in Applied Communications. His thesis discussed the changing nature and appropriation of the term 'independent'. Blunt believed that terms like 'alternative' and 'indie' were simply monikers used at will by marketing companies to describe a sound or genre.
As his enthusiasm for academia and writing heightened, he put together a book that was later published by Prowling Tiger Press in 2001 titled 'Blunt: A Biased History of Australian Rock'.
To this day it is a revered document/music source that is found all over the country in public libraries, independent retail outlets and even cited in academic journals.
In 2003 Blunt decided to leave Australia and pursue work abroad in South Korea as an ESL teacher. He spent the next 12 years living and working in Asia.
This experience galvanised enough fodder for him to independently publish 'The Year My Hair Fell Out' in 2014. This story reveals one's exposure to a foreign culture in their first year working and living abroad. It's based on a fictional character Don Laridis and highlights not only the curious dynamics of private education abroad but also the diverse people that the central character meets on the way.
Blunt relocated back to his hometown, Sydney, in the spring of 2015 and straightaway threw energy into to the so-called ‘much maligned independent music community’. This culminated in monthly shows between 2016-2019 at the Gasoline Pony in Marrickville, and larger shows at the Marrickville Bowling Club.
In 2018 the thankless task of booking bands at a venue meant weekly shows at the MoshPit Bar. During this time of booking it meant less time was spent on writing but like all writers the passions haven’t died - they just haven’t reared their head so much hence this is another reason
Fast forward to late 2024 and an attempt to digitalise Blunt is being made. It's a mountain of stuff to get throught but we are making progress. This is what we are missing! Any help much appreciated - you can hit us up on Blunt Presents Facebook page,
MISSING ISSUES
We are currently down on these issues: please help - you might have one under your couch or down at the bottom of some cabinet you haven't touched in years. If you can assist we'd much appreciate it ...
Issue 5 JULY 1988
Lounge interviews with The Bats (NZ) and Canberran band (now based in Surry Hills) The Plunderers. We also look into the life of inner city community radio station Radio Skid Row (2RSR 88.9FM), w/a fashion guide and the usual best of the rest in news, reviews, etc.
Issue 7 MAY 1989
Candid face to face interviews with Edwin Garland and his band The Waxworks, Michael from local band Black Eyed Susan (that's not plural btw - a band around for a good time, not a long time), industrial noise pioneers (at a Sydney end at least) Ministry of Love/Filth, The Bondi New Music Youth Wave plus fancy new high tech layout from the Nollamara twins, Andy and Chuckles.
Issue 13 September 1991
Features two interviews from abroad - one where radio friend Brian meets up with Captain Sensible (The Damned) in the UK, and the other being a Blunt scoop w/an interview done with Johnny Thunders three days before he passed away. There are also interviews with Graeme from The Verlaines + we go face to face with Sydney hotshots Wipe Out Your Whole Family/WIPE ( ).
HALF FULL ISSUE: yes, I did tell you things were a bit of a shambles didn't I?
ISSUE 10 JULY 1990
Three interviews are missing - one with Dave Graney from Dave Graney and The White Buffaloes, the second with Steve Clark from Died Pretty. while the other is with local four piece The Godbotherers. Also potentially some of the usual Blunt fodder, ie reviews and news.
AUDIO - CASSETTES AND VINYL
We did put together two compilation cassettes and one vinyl of local/interstate bands between 1986 and 1991. Again if you happen to have a copy of any of these let us know. We are in the throes of finding ways to look at re-releasing material if at all possible ... like I said we are happy to chat about it so that material can be heard by more people etc etc They are as follows;
VOICES FROM THE CELLAR - MAY 1989 - we have it and we'll be in touch
A hotchpotch of neglected artists including Distant Locust and their hot version of Donna Summer's I Feel Love, live footage from The Bats (NZ), Ministry of Love, The Cannanes in their loungeroom, The Aftertaste, Living With Robert, Lester (Good Chamber), Even As We Speak, A Happy Family, Drip Tray and more ....
PLUCKED FROM THE BOWELS OF MEDIOCRITY - OCTOBER 1990
Aptly penned from Peter Fenton (Crow) this cassette feature new hot local talent in the form of Nunbait, Crow, The Plug Uglies, The Wallflowers, The Moles, Slub (Melbourne) and much more.
12 SOLID GOLD INNER CITY HITS - NOVEMBER 1991
Vinyl mastered by Michael at Modern Records (St.Peters) with some grateful assistance from Edwin (Monkey Pot). Some tracks from Wipe ( ), Even As We Speak, The Cannnanes, Crow, Dumb and The Ugly, Mahatma Propagandhi and the behomoth that was Monroes Fur!